Speedy Morman takes viewers on an in-depth look at some of the most aspirational and unexpectedly cool professions that you probably won’t stumble upon in a job search. On this episode of Jobs Unlisted, find out if Speedy can make it as music producer with Tay Keith.
Tay Keith had a meteoric rise in 2018, producing hits for the likes of Travis Scott, Drake, Eminem, and BlocBoy JB. And he’s only getting started. In the latest episode of Jobs Unlisted, Speedy Morman links up with the producer at his alma mater Middle Tennessee State University to find out how the 22-year-old first got into music, his influences, and what challenges he faced. They then visit the Sound Stage studio in Nashville, where Tay Keith shows Speedy what it takes to make a banger. Speedy also visits the Stax Museum in Memphis to get a rich history lesson on the iconic Stax Records label that featured Otis Redding, Isaac Hayes, and other legendary soul acts.
***
Want a chance to speak to Tay Keith? Send us your best original freestyle over Speedy’s beat for a chance to win a 10 min IG live session with the World Famous producer! All submissions will be judged by Pigeons & Planes. All submissions must be a minimum of :30.
Find the official beat here: https://soundcloud.com/complexmag/job…
For official rules and details on how to enter please visit: https://www.complex.com/music/jobs-un…
Subscribe to Complex on YouTube: https://goo.gl/43ac5w
Check out more of Complex here:
http://www.complex.com
Tweets by Complex
https://www.facebook.com/complex
http://instagram.com/complex
https://plus.google.com/+complex/
COMPLEX is a community of creators and curators, armed with the Internet, committed to surfacing and sharing the voices and conversations that define our new America. Our videos exemplify convergence culture, exploring topics that include music, sneakers, style, sports and pop culture through original shows and Complex News segments. Featuring your favorite celebrities, authoritative commentary, and a unique voice, our videos make culture pop.
